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	<title>thomasbratzke.de</title>
	<link>https://thomasbratzke.de</link>
	<description>thomasbratzke.de</description>
	<pubDate>Sun, 07 Nov 2021 14:03:44 +0000</pubDate>
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		<title>HOME</title>
				
		<link>https://thomasbratzke.de/HOME</link>

		<pubDate>Sun, 07 Nov 2021 14:03:44 +0000</pubDate>

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	Thomas Bratzke
	
	






















 
 










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		<title>CV /  PORTFOLIO / CONTACT</title>
				
		<link>https://thomasbratzke.de/CV-PORTFOLIO-CONTACT</link>

		<pubDate>Wed, 26 May 2021 17:18:15 +0000</pubDate>

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THOMAS BRATZKE
CV / PORTFOLIO
ZASDCV &#38;amp; BIO
PORTOLIOEMAIL






gallery shoot 
through the ventilation hole
 Trafacka Gallery, Prague, 2010</description>
		
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		<title>Writing Culture</title>
				
		<link>https://thomasbratzke.de/Writing-Culture</link>

		<pubDate>Sun, 07 Nov 2021 14:03:41 +0000</pubDate>

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Thomas Bratzke aka ZASd

WORKING IN THE EXTENDED FIELD &#38;nbsp;OF (STYLE) &#38;nbsp;WRITING AND GRAFFITI CULTURE

ZASd (*1977) hat als Berliner Akteur des Writing seit Ende der 90er Jahre daran gearbeitet das kulturelle Phänomen Writing zu durchdringen und in seine Bestandteile zu zerlegen, um von dort aus künstlerische Arbeiten&#38;nbsp;zu &#38;nbsp;entwickeln.&#38;nbsp;
Seine seit Anfang der 2000er Jahre autonom in die Stadt eingefügten, plastischen „3D Tags“ sowie Projekte wie „City of Names“, welches er initierte und mit seinem damaligen Partner AKIM und dem informellen Writerkollektiv “jazzstylecorner” in Göteborg 2004 und Berlin 2005 realisierte, markieren den Zeitpunkt eines Paradigmenwechsels: Es wurde begonnen Elemente des Writing selbst als mögliche Gegenstände selbstreflexiver, künstlerischer Arbeit zu betrachten, die weiterhin clandestin und anonym realisiert wurde, jedoch von nun an auch auf einer Metaebene im Kunstraum betrachtet und verhandelt wurde.
&#38;nbsp;
&#38;nbsp;ZASD (*1977), a Berlin-based writer, has been active as a graffiti writer &#38;nbsp;in Berlin since 1992. Since the late 1990s he was studying&#38;nbsp;
the core elements of Writing Culture such as the Tag or the Flow or the movements of letters to start develop an new type of artistic work from there. His sculptural “3D Tags” have been implemented autonomously in the city since the beginning of the 2000. The project “CITY OF NAMES”, which he initiated and realized with his then partner AKIM together with the Berlin collective “jazzstylecorner” in Gothenburg (Sweden) and Berlin, influenced the subsequent Berlin generation of writing and opened up new perspectives to work as an artist who grew up with&#38;nbsp; and is deeply rooted in graffiti.



	


&#60;img width="800" height="525" width_o="800" height_o="525" data-src="https://freight.cargo.site/t/original/i/0922fac9fb0c848b74526ef6a50c357d91de9cbee2c32c752e945d79a1b7966e/ZASD93_teenagerS.jpg" data-mid="131563116" border="0"  src="https://freight.cargo.site/w/800/i/0922fac9fb0c848b74526ef6a50c357d91de9cbee2c32c752e945d79a1b7966e/ZASD93_teenagerS.jpg" /&#62;
ZASD
Sprühlack auf Berliner S-Bahn
Berlin, 1992



&#60;img width="1971" height="1371" width_o="1971" height_o="1371" data-src="https://freight.cargo.site/t/original/i/0d47b144dc012707ae94d745c92e94e0cf1ce814856c244b6ad3776d47005f2c/3D03ZasdHackescher.jpg" data-mid="131551491" border="0" alt="ZASD, jazzstylecorner Hackescher Markt, Berlin, 2002" data-caption="ZASD, jazzstylecorner Hackescher Markt, Berlin, 2002" src="https://freight.cargo.site/w/1000/i/0d47b144dc012707ae94d745c92e94e0cf1ce814856c244b6ad3776d47005f2c/3D03ZasdHackescher.jpg" /&#62;
ZASD
 jazzstylecorner

Spanplatten und Bauholz, Fassadenfarbe
 Hackescher Markt
 Berlin, 2002



&#60;img width="1386" height="901" width_o="1386" height_o="901" data-src="https://freight.cargo.site/t/original/i/2ade850c26b6eb05f55361e29db7837d8e31dce6895c2e3c34873dbe915a775a/subcultura.jpg" data-mid="131561634" border="0"  src="https://freight.cargo.site/w/1000/i/2ade850c26b6eb05f55361e29db7837d8e31dce6895c2e3c34873dbe915a775a/subcultura.jpg" /&#62;
ZASD 3D Wallpiece
Schnur, Sprühlack, Nägel Prag, 2002



&#60;img width="3008" height="2000" width_o="3008" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1017705267d4342143efe349e14eeaded54845177211f4627eb5c0c886611a25/3D08-1_sw.jpg" data-mid="131557294" border="0"  src="https://freight.cargo.site/w/1000/i/1017705267d4342143efe349e14eeaded54845177211f4627eb5c0c886611a25/3D08-1_sw.jpg" /&#62;
ZAST

Dämmstoff, Fassadenfarbe, Montagkleber
H100cm x B430cm x T20cm
Berlin, 2003




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CITY OF NAMES
 jazzstylecorner

Mariannenplatz,&#38;nbsp;Berlin,&#38;nbsp;2005




&#60;img width="3072" height="2048" width_o="3072" height_o="2048" data-src="https://freight.cargo.site/t/original/i/bb32d0ac65191733131fae0bede1acbb8b9c28196e01965fcd82b705074c5ed4/madrid3.jpg" data-mid="131552274" border="0"  src="https://freight.cargo.site/w/1000/i/bb32d0ac65191733131fae0bede1acbb8b9c28196e01965fcd82b705074c5ed4/madrid3.jpg" /&#62;ZASD? Die Umfrage / The Survey

Schriftzug: EPS, Acryl
 PerformanceMadrid, 2006



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Another Real Offer
by Zasd Real Estate
Sprühlack auf BetonStockholm, 2006




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ZASTHOUSE
(under construction - unlocked)

Yoyogi Park, Tokio
2006




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jazzstyle session
Richy (Richard Koch, tr) &#38;amp; Zast
Eastside Gallery, Berlin
2003
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